Adventures with Van Gogh is a weekly blog by Martin Bailey, our long-standing correspondent and expert on the artist. Published every Friday, his stories range from newsy items about this most intriguing artist to scholarly pieces based on his own meticulous investigations and discoveries. © Martin Bailey
Van Gogh’s The Parsonage Garden at Nuenen in Spring (March 1884) was seized in a nighttime smash-and-grab raid in 2020 from an exhibition in Laren, just east of Amsterdam. It had been on loan from the Groninger Museum, where it has been one of the stars of the collection since its acquisition in 1962. The Van Gogh landscape was insured for €2.5m.
Last September the painting was dramatically recovered by the Dutch private art detective Arthur Brand, as a result of his contacts with an intermediary who had links to the criminal underworld. The painting was delivered to Brand’s Amsterdam home in a blue plastic Ikea bag.
By good fortune, the Van Gogh picture has survived remarkably well, partly because it was mounted on an oak board. Before the latest examination it had always been assumed that it had been painted on paper (affixed to the board), but conservator Marjan de Visser immediately spotted that it is on linen. Surprisingly, this basic fact had apparently not been realised earlier.
De Visser found some damage and scratching to the old varnish coating, occasionally penetrating through the paint layer to the white ground (one such place is just below the figure of the woman). The remaining varnish is likely to be removed, although a final decision has yet to be made. Losses will be retouched, so they will be hardly noticeable.
The landscape, painted in Van Gogh’s early, dark tones, was created when he was living with his parents in the village of Nuenen, in the south of the Netherlands. It depicts the back garden of his father’s parsonage, with the tower of the old church in the distance. The figure of a woman, dressed in black, is shown walking away.
Van Gogh began the painting as a winter scene, also making an ink sketch in which the trees are bare. He had given the sketch, which he described as a “winter garden”, to his artist friend Anthon van Rappard. Soon afterwards, on 8 March 1884, he wrote to say that “it’s already a spring garden—by now. And it’s changed a lot.” In the painting he added foliage to the trees and even a little blossom.
De Visser has just completed her preliminary investigations into the recovered painting. It can now be seen for a short period in Rotterdam, in the conservation studio at the Boijmans van Beuningen Museum depot.
After that, it will be shown at the Groninger Museum in Groningen in a special display entitled 150 Years of the Groninger Museum: Behind the Scenes (29 March 2024-1 June 2025). The recovered Van Gogh will be presented so that the reverse is also visible, showing the damage. We can report that the Ikea bag will also be displayed, since this object is now part of the painting’s story. The actual restoration will probably begin early next year.
In the meantime, the Groninger Museum will be presenting a special exhibition, unrelated to the theft. The show, How Van Gogh Came to Groningen (30 November-5 May 2025), will recount the story of one of the earliest exhibitions on the artist, held in the city in 1896.
Other Van Gogh news:
Martin Bailey is the author of Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln, 2021, available in the UK and US ). He is a leading Van Gogh specialist and investigative reporter for The Art Newspaper. Bailey has curated Van Gogh exhibitions at the Barbican Art Gallery and Compton Verney/National Gallery of Scotland. He was a co-curator of Tate Britain’s The EY Exhibition: Van Gogh and Britain (27 March-11 August 2019).
Martin Bailey’s recent Van Gogh books
Bailey has written a number of other bestselling books, including The Sunflowers Are Mine: The Story of Van Gogh's Masterpiece (Frances Lincoln 2013, available in the UK and US), Studio of the South: Van Gogh in Provence(Frances Lincoln 2016, available in the UK and US), Starry Night: Van Gogh at the Asylum (White Lion Publishing 2018, available in the UK and US) and Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln 2021, available in the UK and US). Bailey's Living with Vincent van Gogh: the Homes and Landscapes that Shaped the Artist (White Lion Publishing 2019, available in the UK and US) provides an overview of the artist’s life. The Illustrated Provence Letters of Van Gogh has been reissued (Batsford 2021, available in the UK and US).
To contact Martin Bailey, please email vangogh@theartnewspaper.com. Please note that he does not undertake authentications.
Read more from Martin's Adventures with Van Gogh blog here.