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Sfeir-Semler Gallery, of Beirut and Hamburg, will offer Yto Barrada’s Rainbow, 2018, at Art Basel Miami Beach.
COURTESY THE ARTIST AND SFEIR-SEMLER GALLERY, BEIRUT AND HAMBURG
The 17th edition of Art Basel Miami Beach opens to the public on Thursday, December 6, with a preview day for invited guests on Wednesday. The fair brings together 268 galleries from 35 countries, including 29 first-time exhibitors, to the beach town’s convention center. Part 1 of ARTnews’s two-part preview looks at the exhibitors in the main Galleries section of the fair.
Among the highlights are a 1936 portrait of Dora Maar by Man Ray at New York’s Edwynn Houk Gallery; Gillian Wearing posing as Georgia O’Keefe at Tanya Bonakdar of New York and Los Angeles; Trevor Paglen at San Franicsco’s Altman Siegel; Norman Lewis at New York’s Michael Rosenfeld Gallery; David Wojnarowicz at New York’s P.P.O.W.; and Odires Mlászho at São Paulo’s Vermelho.
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
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Altman Siegel, San Francisco
Trevor Paglen, Agathla Peak Hough Transform; Haar, 2018, silver gelatin LE print.
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Bergamin & Gomide, São Paulo
Tunga, Love Me Knot (Hyena), 2007, cast aluminum, braided iron wires covered with nylon, epoxy resin.
DING MUSA
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Sfeir-Semler Gallery, Beirut and Hamburg
Yto Barrada, Rainbow, 2018, wood and paint.
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P.P.O.W., New York
David Wojnarowicz, Untitled, 1985–87, mixed media painting.
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Edwynn Houk Gallery, New York
Man Ray, Dora Maar, 1936.
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Hammer Galleries, New York
René Magritte, Le discours de la méthode, ca. 1965–66, oil on canvas.
©2018 C. HERSCOVICI, BRUSSELS AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
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Kasmin, New York
William N. Copley, Why Are You Staring, 1986, acrylic on canvas.
©THE ESTATE OF WILLIAM N. COPLEY, LLC
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Stevenson, Cape Town and Johannesburg
Zanele Muholi, Muzi Khumalo III, Constitution Hill, Braamfontein, Johannesburg, 2010, C-print.
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Paula Cooper Gallery, New York
Sarah Charlesworth, Golden Boy, 1983–84, cibachrome with lacquered wood frame.
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Tanya Bonakdar Gallery, New York and Los Angeles
Gillian Wearing, Me as O’Keefe, 2018, bromide print, framed.
COURTESY THE ARTIST; MAUREEN PALEY, LONDON; AND TANYA BONAKDAR GALLERY, NEW YORK AND LOS ANGELES
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Vermelho, São Paulo
Odires Mlászho, from the series “Retratos possuídos” (Possessed Portraits), 1999, mineral pigment print on paper.
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Kohn Gallery, Los Angeles
Jonathan Lyndon Chase, butt naked dressed in nothing but pearls, 2018, marker, acrylic, oil, and spray paint on canvas, styrofoam heads.
COKE O’NEAL
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David Zwirner, New York, London, and Hong Kong
Chris Ofili, Innervisions…Too High, 1998.
©CHRIS OFILI
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David Castillo Gallery, Miami
Pepe Mar, Checkerboard, 2018, acrylic on printed fabric.
ZACH BALBER
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Stephen Friedman, London
Luiz Zerbini, Xingú, 2018, acrylic on canvas.
PAT KILGORE/©LUIZ ZERBINI
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Michael Rosenfeld Gallery, New York
Norman Lewis, Street Musicians, 1984, oil on canvas.
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Marian Goodman Gallery, New York, London, and Paris
John Baldessari, Clouds (Incomplete): Two Sailboats/Chaotic Situation, 1992, color photographs and acrylic.
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Kavi Gupta, Chicago
Manish Nai, Untitled, 2018, used clothes and wood.
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Galerie Chantal Corusel, Paris
Haegue Yang, Roll Cosies – Toilet Tissue Jumbo Rolls, 2011, wrapped objects with knittings, six elements.
FLORIAN KLEINEFENN
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kurimanzutto, Mexico City and New York
Sarah Lucas, EXACTO, 2018, vinyl chair and LED lights.
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Ruth Benzacar Galería de Arte, Buenos Aires
Liliana Porter, Untitled (Circle, version IIB), 1973–74, gelatin silver print and pencil.
IGNACIO IASPARRA
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Kayne Griffin Corcoran, Los Angeles
Mary Obering, Firefall, 1975, acrylic on canvas.
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ProyectosMonclova, Mexico City
Eduardo Terrazas, 0.2, from the series “Zero,” 1969, oil on canvas.
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Galeria Nara Roesler, São Paulo, Rio de Janeiro, and New York
Carlito Carvalhosa, Untitled (P58/18), 2018, oil and wax on wood.
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Garth Greenan Gallery, New York
Howardena Pindell, Autobiography: Japan (Tombo No Hane), 1982–83, mixed media on canvas.
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Jorge Mara – La Ruche, Buenos Aires
Horacio Coppola, London, 1935, gelatin silver print.
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Fredric Snitzer Gallery, Miami
Zeke Berman, Drawing Board Diptych, 1987, vintage gelatin silver print.
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Goodman Gallery, Johannesburg and Cape Town
Shirin Neshat, Soliloquy Series1999, gelatin silver print.
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Gagosian
Roy Lichtenstein, Expressionist Head, 1980, painted and patinated bronze with painted wooden base.
ROB MCKEEVER/©ESTATE OF ROY LICHTENSTEIN/COURTESY GAGOSIAN
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Di Donna Galleries, New York
Alexander Calder, Crag with Yellow Boomerang and Red Eggplant, 1974.
©2018 CALDER FOUNDATION, NEW YORK AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
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Dan Galeria, São Paulo
Ferreira Gullar, A Revelação do Avesso N. 57, 2014, paper collage.
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Cardi Gallery, Milan and London
Salvatore Scarpitta, Scribe, 1962, bandages, belt, wood, and mixed media on wooden armature.
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David Kordansky Gallery, Los Angeles
Kathryn Andrews, Licorice, 2018, stainless steel, aluminum, ink, and paint.
FREDRIK NILSEN
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303 Gallery, New York
Collier Schorr, Kool-Aid Nude, 2018, dye-sublimation print on Chromaluxe aluminum mounted on Dibond.
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Fortes D’Aloia & Gabriel, São Paulo and Rio de Janeiro
Nuno Ramos, Luz Negra (still), 2002, 16mm film.
©NUNO RAMO
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Richard Gray Gallery, Chicago
Theaster Gates, Summer Tones for a Fall Situation, 2018, digital and screen print on Somerset 330 gsm paper.
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Van Doren Water, New York
Robert Mangold, Three Triangles Within a Square, 1976, pencil on paper.
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Sean Kelly, New York
Alec Soth, Ute’s Books, Odessa, 2018, archival pigment print.
©ALEC SOTH
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Blum & Poe, Los Angeles, New York, and Tokyo
Julian Hoeber, Execution Changes #96 (CS, Q1, LRJ, DC, Q2, LMJ, DC, Q3, CJ, DC, Q4, RMJ, DC), 2018, acrylic, molding paste, colored pencil, and string on linen over panel.
©JULIAN HOEBER
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Peter Freeman, Inc., New York
Mel Bochner, It’s Always Something / It Goes Without Saying, 2018, oil on velvet, in two parts.
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