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Hélio Oiticica’s Penetrável Filtro, 1972, will be presented in the Unlimited section.
COURTESY PROJETO HÉLIO OITICICA AND GALERIE LELONG & CO.
Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16. Among the artists in the exhibition are Kerry James Marshall at David Zwirner (of New York, London, and Hong Kong), Tomás Saraceno at Tanya Bonakdar (New York and Los Angeles), and Farah Al Qasimi at the Third Line (Dubai).
Click the photos below to launch a slideshow of works that will be at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
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Galerie Eva Presenhuber, New York and Zurich | Galleries
Sam Falls, California Flora (National Forest Condensation Wall, North to South), process image, 2017.
©SAM FALLS
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Tanya Bonakdar Gallery, New York and Los Angeles | Galleries
Tomás Saraceno, Stratocumulus/M+W, 2018, powder-coated stainless steel, monofilament fishing line, and white panels.
©2018 PHOTOGRAPHY BY STUDIO TOMÁS SARACENO
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Marlborough Gallery, New York and London | Galleries
Paula Rego, The Fitting, 1990, acrylic on paper on canvas.
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303 Gallery, New York | Galleries
Doug Aitken, Inside Me, 2018, aluminum, high density foam, resin, auto paint, and acrylic mirror.
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Blum & Poe, Los Angeles, New York, and Tokyo | Galleries
Harvey Quaytman, Mirror to Damascus, 1971, acrylic on canvas.
©HARVEY QUAYTMAN TRUST
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Metro Pictures, New York | Galleries
Cindy Sherman, Untitled #198, 1989, chromogenic color print.
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Paula Cooper Gallery, New York | Galleries
Claes Oldenburg & Coosje van Bruggen, Soft French Horn, Unwound, 2002, canvas and wood painted with latex, plastic tubing.
©CLAES OLDENBURG AND COOSJE VAN BRUGGEN
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kurimanzutto, Mexico City and New York | Galleries
Danh Vō, Jardín con palomas al vuelo (detail), 2018, beeswax candles naturally dyed with cochineal carmine pigment, wooden bars, cedar candle holder with glass cape, and wooden table.
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David Zwirner, New York, London, and Hong Kong | Galleries
Kerry James Marshall, Laundry Man, 2019, acrylic on PVC.
©KERRY JAMES MARSHALL
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Karma International, Zurich and Los Angeles | Galleries
Pamela Rosenkranz, Anemine (Verduous Debris), 2018, acrylic and anemine on aluminium.
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Chapter NY, New York | Galleries
Erin Jane Nelson, Indigo Rain Cave, 2019, photographs on glazed stoneware.
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Richard Gray Gallery, New York and Chicago | Galleries
Theaster Gates, Kitsch Italian Design on the Backs of Blacks, 2018, works on paper, digital and screen print on Somerset 330gsm paper.
©THEASTER GATES
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Di Donna Galleries, New York | Galleries
Salvador Dalí, Leda Atomica, 1947, pen, ink, and crayon on paper.
©2019 SALVADOR DALÍ, GALA-SALVADOR DALÍ FOUNDATION/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
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Fraenkel Gallery, San Francisco | Galleries
Hiroshi Sugimoto, Polarized Color 020, 2018, chromogenic print.
©HIROSHI SUGIMOTO
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Salon 94, New York | Galleries
Huma Bhabha, Mechanic, 2015, cork, styrofoam, cardboard, acrylic paint, oil stick, nail polish, and wood.
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Almine Rech, New York, London, Paris, and Brussels | Galleries
Günther Förg, Untitled, 2008, acrylic on canvas.
©2019 ESTATE GÜNTHER FÖRG, SUISSE/VG BILD-KUNST, BONN
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Andréhn-Schiptjenko, Stockholm | Galleries
Xavier Veilhan, Mobile n°6, 2018, cork, carbon, stainless steel, linen, ink, and poluyrethan paint.
©VEILHAN/ADAGP, PARIS, 2019/PHOTOGRAPHY © DIANE ARQUES/ADAGP, PARIS, 2019
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Susan Sheehan Gallery, New York | Edition
Ed Ruscha, Double Standard, 1969, color screenprint.
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Alan Cristea Gallery, London | Edition
Georg Baselitz, Devotion (de Kooning), 2018, etchings on Somerset White Satin 300 gsm paper.
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Jan Kaps, Cologne | Statements
Berenice Olmedo, Janis, 2019, hard plastic orthosis, velcro, steel, and rubber.
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Barro Arte Contemporáneo, Buenos Aires | Statements
Gabriel Chaile, Aguas calientes, 2019, print.
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The Third Line, Dubai | Statements
Farah Al Qasimi, Aviary, 2019, inkjet print.
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König Galerie, Berlin | Parcours
Rinus Van de Velde, Prop, Flood, Roof, 2018, cardboard, paint, metal, wood, water, and mixed media.
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dépendance, Brussels | Parcours
Jos de Gruyter & Harald Thys, Die Schmutzige Puppen von Pommern, 2018, cackcloth, straw, and fake hair.
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Greene Naftali, New York | Parcours
Dan Graham, Dancing Circles, 2018, stainless steel and two-way mirror glass.
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Daniel Marzona, Berlin | Feature
Bernd Lohaus, Untitled (Klänge), ca. 1989, wood and chalk.
COURTESY THE ESTATE OF BERND LOHAUS
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Corbett vs. Dempsey, Chicago | Feature
Dominick Di Meo, Untitled, 1966, collage, synthetic polymer, and acrylic on canvas.
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Hauser & Wirth, Zurich, London, New York, St. Moritz, Somerset, Los Angeles, Hong Kong and Gstaad | Unlimited
Larry Bell, Hydrolux, 1986, installation view.
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Alexander Gray Associates, New York | Unlimited
Coco Fusco, Tin Man of the Twenty-First Century, 2018, aluminum and steel.
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Gagosian, New York, London, Beverly Hills, San Francisco, Paris, Rome, Geneva, Athens, and Hong Kong | Unlimited
Steven Parrino, 13 Shattered Panels (for Joey Ramone), 2001, 13 standard panels of gypsum plaster board painted with black industrial lacquer.
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neugerriemschneider, Berlin | Unlimited
Jorge Pardo, Untitled, 2002, colored glass, aluminum, light fixture, and light.
©BILDRECHT, VIENNA/MICHAEL STRASSER
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Lévy Gorvy, New York, and Sprüth Magers, Berlin | Unlimited
Senga Nengudi, Untitled (400) (detail), 2019, sketch.
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Hauser & Wirth, Zurich, London, New York, St. Moritz, Somerset, Los Angeles, Hong Kong and Gstaad | Unlimited
Mika Rottenberg, Cosmic Generator (Loaded #3), 2017, film still.
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David Zwirner, New York, London, and Hong Kong | Unlimited
Felix Gonzalez-Torres, Untitled (Loverboy), 1988, C-print jigsaw puzzle in plastic bag.
COURTESY THE FELIX GONZALEZ-TORRES FOUNDATION
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Lehmann Maupin, New York, Hong Kong, and Seoul, and Victoria Miro, London | Unlimited
Do Ho Suh, Hub, 260-7 Sungbook-Dong, Sungbook-Ku, Seoul, Korea, 2017, polyester fabric and stainless steel.
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Sadie Coles HQ, London | Unlimited
Sarah Lucas, Champagne Maradona, 2015, bronze.
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