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The Market
Here’s a look at how the pandemic has impacted Sotheby’s, Christie’s, and Phillips, which are increasingly turning to online sales. The Times asks, “Could the live auction ultimately become a relic of the past?” [The New York Times]
Christie’s announced last week that that it would hold a benefit auction, organized in collaboration with the Andy Warhol Foundation, with proceeds providing relief in the cultural sector. The online sale opening April 28 will include 60 photographs by Warhol, including examples of the artist’s self-portraits. [Art Market Monitor]
Museums
Some of the United Kingdom’s museums may not survive the financial toll of the coronavirus crisis. The Florence Nightingale Museum and the Charles Dickens Museum in London are among the institutions experiencing the greatest strain. [BBC]
Though the Los Angeles County Museum of Art is moving ahead with its redesign amid the pandemic, a protest group called Citizens’ Brigade to Save LACMA is working to create an architecture competition to find a different plan for the institution. [Los Angles Times]
R.I.P.
Photographer Peter Beard, who had gone missing from his home in Montauk, New York, three weeks ago, has died at age 82. [The New York Times]
Conceptual artist Ian Wilson, whose practice favored “Discussions” about art-making over the creation of physical objects, is dead at age 80. [ARTnews]
Painter William Bailey, who spent years as a professor at the Yale School of Art, has died at age 89. [The New York Times]
And more
In the age of social distancing and Zoom calls, “can you teach art online?” Art educators detail trials and triumphs associated with teaching during the coronavirus crisis. [Art in America]
Here’s a piece that considers “how museums will eventually tell the story of COVID-19” by way of acquisitions, programming, and more. [Atlas Obscura]
Finally, take a look through this handy guide to documentaries focused on legendary art heists throughout history, from the famed Isabella Stewart Gardner Museum theft to the 1911 robbery of the Mona Lisa from the Louvre. [The Wall Street Journal]
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