Franklin Humanities Institute guest Hank Willis Thomas discusses his recent work entitled ‘Priceless’, in which he uses his artistic license to address his cousin’s funeral through popular advertising. Thomas also addresses the public’s reaction to his work. Hank Willis Thomas is a contemporary African American visual artist and photographer whose primary interests are race, advertising and popular culture. He is the winner of the first ever Aperture West Book Prize for his monograph Pitch Blackness (November, 2008). His work was featured in the 30 Americans exhibition at the Rubell Family Collection in Miami as well as in the exhibition and accompanying catalog, 25 Under 25: Up-and-Coming Photographers. He has exhibited in galleries and museums throughout the U.S. and abroad, including the Studio Museum in Harlem; Yerba Buena Center for the Arts, San Francisco; Wadsworth Atheneum, Hartford, Connecticut; Jamaica Center for Arts and Learning, Jamaica, New York; Artists Space, New York; Leica Gallery, New York; Texas Woman’s University; Oakland Museum of California; Smithsonian; Anacostia Museum, Washington, DC; Bronfman Center for Jewish Life at NYU; National Museum of American History, Washington, DC; and National Portrait Gallery, Washington, DC, High Museum, Atlanta, and Museum of Fine Arts, Houston, among others.
Hank Willis Thomas is represented by Jack Shainman Gallery in New York. Extensive information on his work can be found at http://hankwillisthomas.com. Diego Cortez is an independent curator based in New York. More information can be found at http://www.lostobject.org.
This Franklin Humanities Institute Gallery Program at Duke University was sponsored in conjunction with the John Hope Franklin Center.
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