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Here’s your guide to Frieze Los Angeles and five other fairs—including Felix LA and Art Los Angeles Contemporary—opening this week. [ARTnews]
Carolina A. Miranda writes that Frieze Projects, which spotlights installations, performances, sculptures, and other works on the Paramount Pictures backlot, is “a way to engage a site that has been critical to inserting narratives about people and places into the popular culture.” [Los Angeles Times]
“You can present works that typically would not fit within a gallery booth or within the confines of a tent,” Rita Gonzales, co-curator of Frieze Projects with Pilar Tompkins Rivas, said of the upcoming exhibition. [Financial Times]
Related Articles
The Talent
Caroline Baumann, director of the Cooper Hewitt Smithsonian Design Museum in New York, has stepped down from her post. Smithsonian provost John Davis will work as interim director while the museum searches for a replacement. [The New York Times]
“We are exploring new chapters of tolerance, welcoming refugees, reconciling with our indigenous partners on this land — and that is a wonderful mess of a conversation,” Sasha Suda, director of the National Gallery in Ottowa, said of her work in Canada. [Christie’s]
Museums
A 17th-century painting in the collection of the Metropolitan Museum of Art likely once belonged to Siegfried Aram, a Jewish dealer who left the work in Germany when he fled the country in 1933. The museum said that the new information “is worthy of a detailed investigation, which we will begin immediately.” [The New York Times]
Brian P. Kelly writes that the recently reopened Rubell Museum in Miami, established by ARTnews Top 200 Collectors Mera and Don Rubell, “elevates visitors, taking them and the work seriously, refusing to hand-hold but encouraging a true experience with art.” [Wall Street Journal]
Galleries
The Times reports that artist-run galleries are thriving in Los Angeles, with Commonwealth and Council, Night Gallery, and Bel Ami among enterprises of that kind exhibiting at Frieze L.A. [The New York Times]
And more
The South African architectural practice Counterspace will design the Serpentine Galleries pavilion in London this year. [The Art Newspaper]
Here’s a look at the elaborate jelly sculptures created by artist Sharona Franklin, whose first solo show in New York opens at Kings Leap Gallery later this month. [The Guardian]
Finally, an essay in The Atlantic makes a case against architectural homogeneity among government buildings in Washington, D.C. [The Atlantic]
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