View of “Kawita Vatanajyankur: Rituals Of Otherness,” curated by Alexandra Fanning, at the 2018 Spring/Break Art Show.
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The Spring/Break Art Show, which is known for stuffing eye-popping installations into every nook and cranny of its host venues, returns to New York this week for its seventh edition, and its second on two floors of the former Condé Nast offices at 4 Times Square. This edition, titled “Stranger Comes to Town,” which opened yesterday, focuses on many of the pressing issues of our times, like migration and the xenophobia it can produce, as well as homophobia, racism, sexism, and assimilation. From a booth handing out stateless passports to work looking at the labor of immigrant women to a set of machines that protest for you, here’s a look around the fair on its opening night. Images of the fair follow below. For a full report on some of the highlights, head over to ARTnews’s coverage of Spring/Break by my colleagues Alex Greenberger and Claire Selvin.
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View of “Kawita Vatanajyankur: Rituals Of Otherness,” curated by Alexandra Fanning, at the 2018 Spring/Break Art Show.
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View of “Cate Giordano: Rome,” curated by Diana Ayala-Carrillo, at the 2018 Spring/Break Art Show.
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View of “Fernando Orellana: Youʼll Never Know We Were Here,” curated by Sarah Walko, at the 2018 Spring/Break Art Show.
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View of “Macon Reed: A Pressing Conference,” curated by Helen Toomer, at the 2018 Spring/Break Art Show.
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View of “Carolina Paz: How To Taste As An American,” curated by Krista Scenna, at the 2018 Spring/Break Art Show.
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View of “Overview Is A Place.,” a special project curated by Projects + Gallery, at the 2018 Spring/Break Art Show.
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View of “Eric Mistretta: The Wrong Place,” curated by Anna Kustera, at the 2018 Spring/Break Art Show.
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View of “David Kramer: Lost Horizons,” curated by Michael Buckland, at the 2018 Spring/Break Art Show.
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View of “Jonathan Rosen: Double Life,” curated by Laura OʼReilly, at the 2018 Spring/Break Art Show.
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View of “Kumasi J Barnett: Secret Identities,” curated by Jac Lahav, at the 2018 Spring/Break Art Show.
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View of “Brett Wallace: Amazing Industries,” a special project curated by Silas Von Morisse Gallery, at the 2018 Spring/Break Art Show.
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View of “Which Soil Member Are You?,” curated by the Soil Artist-Run Gallery, at the 2018 Spring/Break Art Show. Pictured: the personal object of my Soil member match,
Jana Brevick.
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View of “Secret Gay Box,” a special project curated by John Wolf, at the 2018 Spring/Break Art Show.
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View of “Alexander Reben: Strange/R/Evolution,” curated by Amy Kisch and Charlie James, at the 2018 Spring/Break Art Show.
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View of “Graham Wilson: Quarantine,” a special project curated by Anna Zorina Gallery, at the 2018 Spring/Break Art Show.
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View of “Justin Wood: March Towards Extinction,” curated by Lee Wells and Erica Ensminger, at the 2018 Spring/Break Art Show.
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View of “Ryan Michael Ford: Fuzz,” featuring work by Eliot Greenwald, curated by Brigitte Mulholland, at the 2018 Spring/Break Art Show.
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View of “Chris Bogia: New Works,” curated by Danny Orendorff, at the 2018 Spring/Break Art Show.
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View of “Horrorscapes,” curated by Michael Gaughran, at the 2018 Spring/Break Art Show.
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View of “Written In Water,” curated by Katya Valevich, at the 2018 Spring/Break Art Show.
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View of “Jeffrey Augustine Songco: Society Of 23ʼS Locker Dressing Room,” curated by Marly Hammer and John Richey, at the 2018 Spring/Break Art Show.
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View of “You Donʼt Belong Here,” a special project curated by Oklahoma Contemporary Arts Center and New York Artists Equity Association, at the 2018 Spring/Break Art Show.
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View of “Antonia Wright: If I Had To Perish Twice,” curated by Maureen Sullivan and John Zinonos, at the 2018 Spring/Break Art Show.
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View of “Elektra Kb: Power Is Abuse,” curated by Nico Roxe, at the 2018 Spring/Break Art Show.
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View of the Spring/Break lounge by Print All Over Me, at the 2018 Spring/Break Art Show.
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View of “Here Now,” curated by Adam Parker Smith, at the 2018 Spring/Break Art Show.
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View of “Ours,” curated by Dominic Nurre and Lynn Sullivan, at the 2018 Spring/Break Art Show.
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View of “The First Ages,” curated by Chad Stayrook and Julia Oldham, at the 2018 Spring/Break Art Show.
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View of “Ian Strange: Final Act & Shadow,” curated by Zahra Sherzad, at the 2018 Spring/Break Art Show.
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View of “Alexis Adler: Early Humans,” curated by Zoe Katz, at the 2018 Spring/Break Art Show.
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View of “Matthew Morrocco: Complicit,” curated by Ramsay Kolber, at the 2018 Spring/Break Art Show.
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View of “What Can Be Seen,” curated by Natasha Becker, at the 2018 Spring/Break Art Show.
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View of “(Hotel) XX,” a special project curated by Indira Cesarine/The Untitled Space, at the 2018 Spring/Break Art Show.
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View of “Cupid Ojala: Endless Wall Of Love,” curated by Christopher Stout, at the 2018 Spring/Break Art Show.
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View of “Azikiwe Mohammed: 484 Lenox Ave.,” curated by Ambre Kelly and Andrew Gori, at the 2018 Spring/Break Art Show.
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View of “Superheated,” curated by Rachelle Dang and Jessica Mensch, at the 2018 Spring/Break Art Show.
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View of “What Can Be Seen,” showing a work by Esmerelda Kosmatopolous, curated by Natasha Becker, at the 2018 Spring/Break Art Show.
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View of “Room After Room,” curated by Emily Davidson and Sam Strand, at the 2018 Spring/Break Art Show.
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View of “When Darkness Loves Us,” curated by Kelsey Bennett and Remy Bennett, at the 2018 Spring/Break Art Show.
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View of “The Last Equestrian Portrait,” curated by Amanda Nedham and Kyle Hittmeier, at the 2018 Spring/Break Art Show.
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