Installation view of “Graham Wilson: High Maintenance,” curated by Lux Yuting Bai, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
The Spring/Break Art Show, which is known for stuffing curated installations into every nook and cranny of its host venues, returns to New York this week for its eighth edition. For the first time, the fair is taking place at 866 United Nations Plaza, on Manhattan’s east side. This edition, titled “Fact and Fiction,” which opened today to collectors and members of the press, focuses on facts and their “alternatives,” according to a release. Images of the fair follow below.
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Installation view of “Graham Wilson: High Maintenance,” curated by Lux Yuting Bai, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Lauren Hirshfield and Kat Ryals, of Brooklyn’s Paradice Palase Gallery, showing work by Jen Dwyer, Sophie Parker, and Tom Prinsell at the 2019 Spring/Break show.
KATHERINE MCMAHON
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Installation view of “You’re Invited,” curated by Alejandro Jassan and Deanna Evans, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “The Politics of Healing: Destroying Silence,” curated by Nico Roxe and Valeria Castro, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Sculptures by John Torreano at “CORAL PROJECTS: UnderwaterArt Lab,” curated by Vanessa Albury and Tamara Weg, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Dave B. Smith: Cave Dwellers,” curated by Jac Lahav, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Shone McAndrew: Sometime Last Night,” curated by Lauren Powell, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Eliot Greenwald: Tell Me Again,” curated by Courtney Childress, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Eden,” curated by Indira Cesarine, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “The Sinister Limit of a Bicentennial Imposter,” curated by Sara Driver and Austin Sley Julian, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of Rubbings & Bootlegs, a participatory work by Marisa Morán Jahn, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Lavaughan Jenkins: Reflections of Power,” curated by Abigail Ogilvy andAllyson Boli, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “The Passionate Shepherd,” presented by Chashama, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of Stella Zhong’s Pool Time , 2017, in “Empty City” curated by Way Ying Zhao, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Perri Hofmann: In Other News,” curated by Taylor McMahon and Breton Harder, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Phaan Howng E.N.D.O. Real Estate Brokers” curated by Betsy Johnson, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Detail view of a piece in “Chris Walla: It’s Complicated,” curated by Amanda Browder, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Grey Matter: Rose Nestler and Corey Escoto,” curated by Valery Jung Estabrook, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Bianca Nemelc with her piece Motherland, presented by Ross & Kramer and curated by Che Morales, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Madeleine Bialke’s The Faithful in “Nature’s Borrowed Voice,” curated by Ali Rossi, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON
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Installation view of “Pajtim Osmanaj: Eksurzion,” curated by Sarah Sunjean Han, at the 2019 Spring/Break Art Show.
KATHERINE MCMAHON