A Last Look at Ebony’s Archives… | The New York Times

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CHICAGO — For months, a stream of visitors — curious, cultured and deep-pocketed — have slipped into a drab brick warehouse on the West Side of Chicago. They have been escorted upstairs in a creaky elevator to a windowless room and handed blue gloves to wear. (function() {
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Then they have lingered for hours or days over the most significant collection of photographs depicting African-American life in the 20th century.

In one folder, there is Coretta Scott King, cradling her daughter Bernice from a pew at the Rev. Dr. Martin Luther King Jr.’s funeral. In another, Billie Holiday stands on a city sidewalk with a cigarette and a faraway expression. One box holds a black-and-white print of Ray Charles hanging out with a Chicago nightclub owner and playing dominoes, as the typewritten caption noted, “by feel.”

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