Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the insert-headers-and-footers domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/wp-includes/functions.php on line 6121
A brush with… Salman Toor — podcast – News On Media

Salman Toor
Portrait by Sawani Chaudhary
In this podcast, based on The Art Newspaper's regular interview series, our host Ben Luke talks to artists in-depth. He asks the questions you've always wanted to: who are the artists, historical and contemporary, they most admire? Which are the museums they return to? What are the books, music and other media that most inspire them? And what is art for, anyway?
Toor was born in Lahore, Pakistan, in 1983, and lives and works in New York. His paintings capture everyday moments in the lives of fictional young, queer, Brown men. Set within private and public environments, these scenes speak of a wealth of feelings and experiences, ranging from touching domestic intimacy and love, to communal solidarity, to societal precarity and violence. While abundantly concerned with contemporary life and identity, Salman’s paintings are informed by a deep passion for historic art, both in Western and South Asian traditions. The result is a body of work of immense technical sensitivity and beauty, shot through with poignancy and wit.
Backseat Boy, 2023
Salman Toor
He reflects on the growing complexity of his references to the Western tradition of painting in relation to his subject matter. He discusses how the “mist and gaseousness” of a particular shade of green has helped him create particular moods and atmospheres in his work. He talks about playing with conventions in the depictions of certain types of bodies, and exploring and subverting orientalist and racist tropes.
Among many other references, he recalls the early influence of Paul Delaroche’s The Execution of Lady Jane Grey (1833) and Pablo Picasso’s Blue Period, the enduring impact of Jean-Honoré Fragonard, whose sweetness is like “a cup of tea with five teaspoons”, and suggests that he enjoys painters who embark on “slightly crazy” transformations of academic painting traditions. He expresses his ongoing admiration for Anton Chekhov’s short stories and discusses how Whitney Houston’s music was important to him and his “chosen family” in his early years in New York. Plus, he gives insight into his life in the studio and answers our usual questions, including the ultimate: what is art for?
Walking Back, 2025
Salman Toor
This podcast is sponsored by Bloomberg Connects, the arts and culture platform. Bloomberg Connects offers access to a vast range of international cultural organisations through a single click, with new guides being added regularly. They include numerous museums and galleries that have shown and collected Salman Toor’s work, including the Whitney Museum of American Art in New York, the Hayward Gallery in London and the Baltimore Museum of Art (BMA). The guide to the BMA includes in-depth content about an ambitious initiative called Turn Again to the Earth, which encourages conversation and action in relation to climate change and the museum. Eight community advisory members for the project have each selected one work in the BMA’s collection and, in an audio guide, share their personal perspectives on its relationship to climate justice.
An in-depth interview with the artist on her cultural experiences and greatest influences, from Toni Morrison's writings to Picasso's Les Demoiselles d’Avignon
An in-depth interview with the artist on her cultural experiences and greatest influences, from residencies in Paris to the jazz legend Sun Ra
An in-depth podcast conversation on the artist's big influences, from Duchamp to Deep House
An in-depth podcast conversation on the artist's big influences, from Bruce Nauman to George Orwell

source