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Victoria Miro, of London and Venice, paired Yayoi Kusama’s stainless steel spheres, Narcissus Garden, 1966–, with Chris Ofili’s painting, to take and to give, 2012, at Frieze New York 2019.
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On a chilly New York morning, Frieze New York returned to the city’s Randalls Island Park along the East River. In sharp contrast to the swelter of last year’s affair, this year’s edition was notably cooler—and quieter, with major stalwarts from the fair’s previous editions missing and several newcomers added. Below, a look around the fair. Elsewhere at ARTnews, a full report of the action.
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Victoria Miro, of London and Venice, paired Yayoi Kusama’s stainless steel spheres, Narcissus Garden, 1966–, with Chris Ofili’s painting, to take and to give, 2012, at Frieze New York 2019.
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Lauren Halsey’s two “Prototype Columns.” The artist won this year’s Frieze Artist Award.
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A Robert Motherwell painting and a Larry Bell glass cube at London’s Bernard Jacobson Gallery, at Frieze New York 2019.
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Vadehra Art Gallery, of New Delhi, had on offer a 12-print, 7-LED tube work by Anju Dodiya, titled Nest of Mirrors (2019), at Frieze New York 2019.
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A new painting by Firelei Báez in a shared booth by James Cohan, New York, and Kavi Gupta, Chicago, in the ‘Dialogos’ section, curated by El Museo del Barrio’s executive director Patrick Charpenel and curator Susanna V. Temkin, at Frieze New York 2019.
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Works by Livia Corona Benjamin in a shared booth by New York’s Proxy and Embajada, of San Juan, Puerto Rico, in the ‘Dialogos’ section, curated by El Museo del Barrio’s executive director Patrick Charpenel and curator Susanna V. Temkin, at Frieze New York 2019.
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Balloons, made of glass fiber reinforced plastic and chrome lacquer, by Jeppe Hein, at the booth of New York’s 303 Gallery, at Frieze New York 2019.
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New photographs by Ken Gonzalez-Day combine various objects from the permanent collection of the Los Angeles County Museum of Art, in the booth of L.A.’s Luis De Jesus, in the ‘Dialogos’ section, curated by El Museo del Barrio’s executive director Patrick Charpenel and curator Susanna V. Temkin, at Frieze New York 2019.
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Works by Gala Porras-Kim in the booth of L.A.’s Commonwealth & Council, in the ‘Dialogos’ section, curated by El Museo del Barrio’s executive director Patrick Charpenel and curator Susanna V. Temkin, at Frieze New York 2019.
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Burned negatives of a 1976 suite of photographs by Suzy Lake are on view in light boxes in the booth of Toronto’s Georgia Scherman Projects, in the Spotlight section, at Frieze New York 2019.
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Works by Fred Eversley in the booth of L.A.’s David Kordansky Gallery, in the Spotlight section, at Frieze New York 2019.
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Shaped canvases by Katsumi Nakai on offer by London’s Ronchini, in the Spotlight section, at Frieze New York 2019.
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Leonor Fini’s Armoire Anthropomorphe, 1939, which was included in her recent retrospective at the Museum of Sex in New York, is on offer in the booth of New York’s Leila Heller, in the Spotlight section, at Frieze New York 2019.
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Eduardo Costa’s Torsos of Two Brothers (From Surf Guys), 1987, on offer from Buenos Aires’s MCMC, in the Spotlight section, at Frieze New York 2019.
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Sculptures by Marta Chilindron in the booth of New York’s Cecilia de Torres Ltd., in the ‘Dialogos’ section, curated by El Museo del Barrio’s executive director Patrick Charpenel and curator Susanna V. Temkin, at Frieze New York 2019.
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View of the booth of Marlborough, of New York and London, with a work by Tony Matelli, at center, at Frieze New York 2019.
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Robert Indiana’s ONE through ZERO (Cor-ten steel), 1978–2003, in the booth of London’s Waddington Custot, at Frieze New York 2019.
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A 2017 Nick Cave Soundsuit looms over the booth of New York’s Jack Shainman Gallery, at Frieze New York 2019.
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View of the booth of Mumbai’s Jhaveri Contemporary with photographs by Lionel Wendt and a sculpture by Prem Sahib, at Frieze New York 2019.
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Guatemala City’s Proyectos Ultravioleta is offering a sculpture by Naufus Ramírez-Figureoa, which debuted at last year’s SITElines biennial at SITE Santa Fe in New Mexico, at Frieze New York 2019.
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Paintings by Thenjiwe Niki Nkosi on offer at the booth of Mariane Ibrahim Gallery, of Seattle and Chicago, at Frieze New York 2019.
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Works by Senga Nengudi were on offer by three galleries—Thomas Erben, Lévy Gorvy, and Sprüth Magers—as part of the Just Above Midtown (JAM) section, curated by Pérez Art Museum Miami director Franklin Sirmans, at Frieze New York 2019.
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New York’s Michael Rosenfeld Gallery was offering Norman Lewis’s Ebb Tide, 1975, as part of the Just Above Midtown (JAM) section, curated by Pérez Art Museum Miami director Franklin Sirmans, at Frieze New York 2019.
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New York’s Bridget Donahue had works by Lisa Alvarado that were also accompanied by unique sound works, played on speakers, at Frieze New York 2019.
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The late Robert Morris’s Untitled (Brown Felt), 1978, at Milan’s Cardi Gallery, at Frieze New York 2019.
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Work by Derrick Adams at the booth of London’s Vigo, at Frieze New York 2019.
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A sculpture by Kapwani Kiwanga and a photograph by Shirin Neshat were presented in the booth of Goodman Gallery, of Johannesburg and Cape Town, at Frieze New York 2019.
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Faith Ringgold’s Early Works #7: Four Women at a Table, 1962, in the booth of London’s Pippy Houldsworth Gallery, at Frieze New York 2019.
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General Idea’s Great AIDS (Pyrolle Orange), 2019, which riffs on Robert Indiana’s famous “LOVE” series, was on offer at New York’s Mitchell-Innes & Nash. Another version of the work, in Cadmium Red Light and from 1990/2018, was on offer at London’s Maureen Paley.
MAXIMILÍANO DURÓN/ARTNEWS
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Visitors to Frieze New York 2019 were invited to participate in the late Ray Johnson’s legendary “New York Correspondence School” by adding their own spin to the artist’s “Add and Return” template.
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Jenny Holzer’s Survival: What urge will save us…, 2019, on an antique Rouge French marble bench, was on offer in Hauser & Wirth’s booth, at Frieze New York 2019.
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A visitor to Frieze New York 2019 takes a break on a Zhang Peili Audible Mattress.
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