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Rosa Sijben and David Bernstein, Something To Hold On To, 2018-19, Epoxy, different types of wood, glass, anodized aluminum, bronze, epoxy clay, self-drying clay, polyurethane, elastic, Sugru.
KYLE KNODELL/COURTESY THE ARTIST
Today’s show: “In Practice: Other Objects” is on view at SculptureCenter in New York through Monday, March 25. The group exhibition features work by 11 artists and artist teams that examine objecthood and personhood, and the interplay between them.
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Takming Chuang, Shelf Life, 2019, Installation of 21 sculptures in unfired clay and plastic wrap, MDF shelves, fluorescent lamps.
KYLE KNODELL/COURTESY THE ARTIST
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Aliza Shvarts, Anthem, 2019, Sexual assault evidence collection kit exterior containers, reproductions of sexual assault evidence collection kit interior contents, white envelopes, clear plastic bags, white and brown paper bags, paper bindle, scans, 8.5 x 11 x 2-inch set-up boxes, inked prints on paper.
KYLE KNODELL/COURTESY THE ARTIST
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Aliza Shvarts, Anthem, 2019, Sexual assault evidence collection kit exterior containers, reproductions of sexual assault evidence collection kit interior contents, white envelopes, clear plastic bags, white and brown paper bags, paper bindle, scans, 8.5 x 11 x 2-inch set-up boxes, inked prints on paper.
KYLE KNODELL/COURTESY THE ARTIST
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Sara Stern, COMPANY, 2018, HD video with color/sound, concrete and cast iron stove leg seating, weathered steel walls.
KYLE KNODELL/COURTESY THE ARTIST
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Katherine Simóne Reynolds, Ironing Board Sculpture 2, 2018, Ironing board; faux stone spray paint; heat transfer on lace, felt, and polyester/spandex blend; blond wig; brush; cast iron iron; wire hanger; garment; boxes of fake nails; finger hooks; chain.
KYLE KNODELL/COURTESY THE ARTIST
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Kiyan Williams, Dirt Eater, 2019, Soil, clay, steel, patina, bricks, wax, kanekalon, incense, wood, steel armature.
KYLE KNODELL/COURTESY THE ARTIST
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LaMont Hamilton, J.W, R.H, H.D, E.R, NHP (whispering of the self to the self), 2019, Installation with ostrich feathers, bells, recorded sound, light.
KYLE KNODELL/COURTESY THE ARTIST
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Natalie Bell, Playing Dolls, 2019, Lodge pole pines, Christmas tree stand, child’s military uniform pants, vintage moccasin with synthetic hair, doll head, coyote teeth, metal pins, permanent marker, acrylic paint, ponytail balls, U.S. dollars and coins, cigarettes.
KYLE KNODELL/COURTESY THE ARTIST
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Ariel René Jackson, Its Extended Remnant, 2019, Grandma’s rusted swingblade, chalk mold, soil, chalkline, PVC ball, chalkboard paint, rope, wood engraving of Senegalese woman in rice field from Judith Carney’s Black Rice: The African Origins of Rice Cultivation in the Americas (2001), video projection.
KYLE KNODELL/COURTESY THE ARTIST
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Rosa Sijben and David Bernstein, Something To Hold On To, 2018-19, Epoxy, different types of wood, glass, anodized aluminum, bronze, epoxy clay, self-drying clay, polyurethane, elastic, Sugru.
KYLE KNODELL/COURTESY THE ARTIST
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Kenneth Tam, All of M, 2018, HD video installation with sound, inner tubes, sand..
KYLE KNODELL/COURTESY THE ARTIST
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