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Haywood Bill Rivers, Tailor shop , 1948, oil on canvas.
THE BALTIMORE MUSEUM OF ART
Pictures at an Exhibition presents images of one notable show every weekday.
Today’s show: “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968” is on view at the Museo Reina Sofía in Madrid through Saturday, April 22. The group exhibition, curated by Serge Guilbaut (author of How New York Stole the Idea of Modern Art , 1983), presents work by artists working in postwar Paris, among them, Haywood Bill Rivers, Julio Le Parc, Al Held, Eduardo Arroyo, Carmen Herrera, Pablo Palazuelo, Roberto Matta, Pablo Picasso, Rufino Tamayo, Ed van der Elksen, Wifredo Arcay, and Victor Vasarely.
Wifredo Arcay, Alroa , 1950, oil on canvas.
COURTESY THE ARTIST’S ESTATE AND THE MAYOR GALLERY, LONDON
Victor Vasarely, Oeta II ©2018 VICTOR VASARELY AND VEGAP, MADRID/MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, TEMPORARY LOAN FROM CISNEROS FONTANALS ART FOUNDATION, MIAMI
Ed van der Elksen, Vali in the arms of a man looking at the mirror, “Chez Moineau,” St. Germain de Prés, Paris , 1953, gelatin silver print.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA, TEMPORARY LOAN FROM A PRIVATE COLLECTION, MADRID
Rufino Tamayo, Mujer en gris (Women in gray), 1959, oil on canvas.
SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK
Roberto Matta, La question , 1957, oil on linen.
COLLECTION OF FEDERICA MATTA/COURTESY PACE GALLERY, NEW YORK
Pablo Picasso, La cuisine , 1948, oil on canvas.
MUSÉE NATIONAL PICASSO-PARIS
Pablo Palazuelo, Alborada , 1952, oil on canvas.
COLECCIÓN “LA CAIXA” ARTE CONTEMPORÁNEO
Carmen Herrera, Sin título , 1949, acrylic on canvas.
ESTRELLITA B. BRODSKY COLLECTION
Eduardo Arroyo, Los cuarto dictadores / (Mussolini) , 1963, oil on canvas.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA
Al Held, Untitled , 1952–53, oil on canvas.
AL HELD FOUNDATION, INC.
Haywood Bill Rivers, Tailor shop , 1948, oil on canvas.
THE BALTIMORE MUSEUM OF ART
Isidore Isou, Traité de Bave et d’Éternité , 1950–51, 35mm film.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA
Julio Le Parc, Continuidad luminosa móvil , 1960–61, mixed media.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA
Eduardo Chillida, El espíritu de los pájaros I , 1952, iron and stone.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA
Claire Falkenstein, Sol #4 , ca. 1954, steel, metal sheet, bronze and glass.
COURTESY MICHAEL ROSENFELD GALLERY, LLC, NEW YORK
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
Installation view “Lost, Loose and Loved: Foreign Artists in Paris 1944-1968,” 2018, at Museo Reina Sofía, Madrid.
JOAQUÍN CORTÉS, ROMÁN LORES/COURTESY MUSEO REINA SOFÍA
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