Sedira also gives an insight into her studio life in the interview
© Zineb Sedira
In this podcast, based on The Art Newspaper's regular interview series, our host Ben Luke talks to artists in-depth. He asks the questions you've always wanted to: who are the artists, historical and contemporary, they most admire? Which are the museums they return to? What are the books, music and other media that most inspire them? And what is art for, anyway?
Zineb Sedira talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work.
Sedira, born in Paris in 1963 to Algerian parents and based in London since 1986, uses film, photography, installation, sculpture and other media to reflect on memory, from the personal to the collective and historical. She explores representation, language and family, intimately informed by her French, Algerian and British identity.
An installation view of Zineb Sedira, Dreams Have No Titles at the Hamburger Bahnhof – Nationalgalerie der Gegenwart, Berlin, 2023. The work was also shown at the 2022 Venice Biennale
© Mathieu Carmona © DACS, London
By mining her singular autobiography and its connection with colonial histories and their contemporary legacies, Sedira has created a body of work that is at once politically nuanced, emotionally complex and visually rich.
Zineb Sedira, Headlines (2023)
Courtesy of Goodman Gallery
She discusses her early interest in Mary Kelly, her enduring engagement with the art of JMW Turner, and her admiration for the Algerian painter Baya. She reflects on her fascination with the Pan-African Festival in Algiers in 1969, the subject of a body of work.
Zineb Sedira, Brochures Festival Panaf (From the series For a Brief Moment the World was on Fire) (2019)
Courtesy of Goodman Gallery
And she talks about her love of jazz and ska, the influence of postcolonial writers, among much else. Plus, she gives insight into her studio life and answers our usual questions, including the ultimate: “what is art for?”