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Robert Filliou, Video Games, 1980–82, cutout cardboard box, pastel, wooden blocks, enameled metal, ink on pinned paper, cardboard strips, and brick.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
Pictures at an Exhibition presents images of one notable show every weekday.
Today’s show: “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984” is on view at Peter Freeman, Inc. in New York through Saturday, April 14. The solo exhibition, the title of which the artist once translated as “The Eternal Network is Everlasting,” according to a release, presents work from throughout the late artist’s career.
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Robert Filliou, Danse-poème aléatoire collectif (à performer deux par deux, chacun(e) tournant une roue) [Collective Dance Poem by Chance (To Be Performed by Two Players, Each Turning One Wheel)], reconstruction of a performance from 1962, two metal wheels and charcoal on wall, installation view.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, Marins et capitaines du temps jadis (Sailors and Captains from the Days of Yore), 1980, bricks, stone, paper, pastel, soft lead pencil, S-hooks, and colored twine, installation view.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, Untitled, 1982, glued and pinned paper and fabric, pastel, soft lead pencil, colored twine, ruler, hooks, grommets, on nailed and painted wood, in six parts, installation view.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, THE, A Novel, Robert Filliou, ca. 1976, pastel on cardboard with wire.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, Modern Video Model N° 0, 1980–82, pastel, soft lead pencil, glued paper, colored twine, and grommets on canvas.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, Video Games, 1980–82, cutout cardboard box, pastel, wooden blocks, enameled metal, ink on pinned paper, cardboard strips, and brick.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, 3 times Mr and Mrs You, 1982, soft lead pencil and pastel on paper, two large bricks, three brick pieces, wood framed mirror, colored twine, five sockets, and twelve S-hooks, installation view.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, Petite histoire un peu sainte (Little Story a Bit Holy), 1969, printed paper in 96 parts bound by brass ring
COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Installation view of “Robert Filliou: Seule la Fête est Permanente | Works 1962-1984,” 2018, at Peter Freeman, Inc., New York.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, Principe d’Équivalence (Principle of Equivalence), ca. 1969, wood, paint, knitted wool, glue, soft lead pencil, ink, stamps, felt, and hooks.
NICK KNIGHT/COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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Robert Filliou, Built-in Versus Built-upon, 1968–78, paintbrush and glass bottle with nylon sock, glued photograph and vinyl text on painted wood.
COURTESY THE ESTATE OF ROBERT FILLIOU AND PETER FREEMAN, INC. NEW YORK AND PARIS
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