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Lawrence Beitler was sitting on the front porch of his home in Marion, Indiana, when someone asked him to tote his 8×10 view camera to the town square. It was past midnight on August 7, 1930, and Beitler, 44, was a professional photographer who mostly shot portraits of weddings, schoolchildren, and church groups. That night, he would be photographing a lynching. He “didn’t even want to do it,” according to a later interview with his daughter, “but taking pictures was his business.” (function() {
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By the time Beitler arrived on the square, a jubilant mob of nearly 15,000 white men, women, and children had gathered. Earlier that night, a group of vigilantes had charged the county jail to seize two black teenagers — Thomas Shipp, 18, and Abram Smith, 19 — who’d allegedly raped a young white woman and murdered her boyfriend. Beitler took one photo of Shipp’s and Smith’s brutalized bodies hanging from a tree, the crowd of eager onlookers before them, and left.
Lynching, in the American imagination, is considered to be solely the provenance of Confederate racism, one of the most prominent examples being the 1955 murder of 14-year-old Emmett Till in Mississippi. Yet the most notorious lynching imagery prior to Till came from Union towns: Duluth, Minnesota; Cairo, Illinois; Omaha, Nebraska — and Marion, Indiana. It is Beitler’s photograph, in particular, that has served as the most glaring visual reminder of the country’s decades-long spectacle of racism and public murder. The photo of the lynching of two Indiana teenagers would never grace the pages of the local paper. But the image is everywhere.
It was Beitler’s photograph that inspired Abel Meeropol to write his anti-lynching poem “Strange Fruit” in 1936, which Billie Holiday would later record and make famous. Just last month, a decade-old mural adaptation of the photograph in Elgin, Illinois, which features only the faces of the white participants, came under public scrutiny as people discovered the image’s origin.
It was Beitler’s photograph that inspired Abel Meeropol to write his anti-lynching poem “Strange Fruit” in 1936, which Billie Holiday would later record and make famous. Just last month, a decade-old mural adaptation of the photograph in Elgin, Illinois, which features only the faces of the white participants, came under public scrutiny as people discovered the image’s origin.
The post What Do You Do After Surviving Your Own Lynching? | Buzzfeed appeared first on KOLUMN.
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