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Em Rooney, Flowers Howling Portfolio I, 2018, 15 UV prints on aluminum, leather, cotton, Magic-Sculpt, pewter, gold foil, copper, aluminum.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
Pictures at an Exhibition presents images of one notable show every weekday.
Today’s show: “Think of Me” is on view at Adams and Ollman in Portland, Oregon, through Saturday, March 16. The group exhibition includes work by Anthony Campuzano, Felipe Jesus Consalvos, Paul Lee, Em Rooney, Dennis Witkin, and an anonymous artist whose “pieces . . . share a visual and conceptual language with the vernacular traditions of keepsakes and mementos,” according to a press release.
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Installation view of “Think Of Me,” 2019, at Adams and Ollman, Portland.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Installation view of “Think Of Me,” 2019, at Adams and Ollman, Portland.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Anthony Campuzano, Julie Christie (Version), 2015, ink and graphite on paper board with inset photograph.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Anonymous Artist, Sailor’s Valentine, ca. 1850, shells, wood, glass, and hardware, installation view.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Anonymous Artist, Sailor’s Valentine, ca. 1850, shells, wood, glass, and hardware.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Em Rooney, Flowers Howling Portfolio I, 2018, 15 UV prints on aluminum, leather, cotton, Magic-Sculpt, pewter, gold foil, copper, aluminum, installation view.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Em Rooney, Flowers Howling Portfolio I, 2018, 15 UV prints on aluminum, leather, cotton, Magic-Sculpt, pewter, gold foil, copper, aluminum.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Installation view of “Think Of Me,” 2019, at Adams and Ollman, Portland.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Paul Lee, Tear Painter, 2018, soda cans, printed image on canvas, printed image on paper, lightbulbs, paintbrush, spraypaint, acrylic paint, canvas, wire, tambourine skin, pastel, and plastic paint container, installation view.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Felipe Jesus Consalvos, The Confirmed Bachelor Doesn’t Exist, ca. 1920–60, collage on photograph.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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Dennis Witkin, Dustpan (Repairing Moon), 2019, epoxy clay, polymer clay, patina, paint tint, dried lemon, lemon zest, and gluten free cookies, installation view.
COURTESY THE ARTIST AND ADAMS AND OLLMAN, PORTLAND
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