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Felix, the smaller but spirited fair at the Roosevelt Hotel, has some stories to tell too. [ARTnews]
“The right has no trouble speaking their rage”: artist Barbara Kruger explains thebanners, billboards, and stickers she plastered throughout Los Angeles for Frieze. [The Guardian]
From movie theaters to fairs, the art world in mainland China is feeling the financial fallout as the coronavirus epidemic has curtailed travel and foot traffic throughout the region. [The New York Times ]
Just in time for its 20th anniversary, Tate Modern will stage a year-long exhibition of works by Kusama, titled “Yayoi Kusama: Infinity Rooms”.
Have a look at the makeover plan for Houston’s beloved Rothko Chapel. [Fast Company]
British artist Felicity Hammond has accused the Amsterdam-based Unseen photography fair of “deceit” and “persistent lying” after the bankrupt event failed to pay her and other artists for work commissioned for the 2019 edition. [The Art Newspaper]
Art & Artists
Nicholas Galanin is working to change how Indigenous art is understood by institutions and audiences. [ARTnews]
“Judd,” opening March 1 at New York’s Museum of Modern Art, is the first full-scale American retrospective of Donald Judd’s work since he died in 1994. [The Wall Street Journal]
Holland Cotter reviews “Peter Saul: Crime and Punishment,” the American painter’s five-decade survey at the New Museum, which gets described as a “critically acidic dirty bomb of a show.” [The New York Times]
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